Introduction
Today we will be reviewing the sophomore album by Scottish prog rockers Tiberius. The quintet formed in 2014 and so far have released two EP’s and an album. They have appeared at festivals such as RADAR festival and Euroblast. As well as sharing the stages with Twelve Foot Ninja and Galactic Empire. The latest album is called “Singing For Company” and can be found now on all streaming services.
Review
New Revelation
The opening of this song gives me the feeling of gearing up for an imminent battle, a clever build-up of suspense. The vocals amplify this sensation. Once the vocals fully engage, they elevate the track by several levels. The drums are incredibly enjoyable, while, surprisingly, the guitars seem to take a backseat in the mix.
I appreciate the orchestral elements in the music, and I’m glad the guitars get a chance to stand out about halfway through the track. Just before the solo, there’s a shift in the vocal pattern that really captures the listener’s attention. The conclusion of the song is fantastic, though I sense there are still a few levels the singer could reach. He definitely has the potential to reach them.
Soul Saviour
This track features an immediate scattering effect, complemented by impressive drumming. The guitars and bass stand out more prominently than in the previous track. At times, the vocals evoke memories of Bruce Dickinson, which I mean as a massive compliment. The guitar work enhances the vocals, providing added depth and warmth.
When it comes to the vocals, they occasionally take on an operatic quality, which means he can easily command a room with his voice! Later, he demonstrates his ability to soften his sound with a section that has a distinctly Latin flair. And that Latin-inspired acoustic guitar? I definitely want to hear more of that!
Tip Of The Spear
The track begins with intense guitar shredding, accompanied by powerful crashing drums, while the bass brings in the final flourish. The vocals show a greater sense of attitude compared to the previous songs. The overall pace of the song is much faster, leaving you with no opportunity—and no desire—to catch your breath.
“Feed me please my oracle.”
“Eat their flesh before they call you cannibals.”
These two lines might just be the standout moments of the whole album, which is why this song is my favorite. I absolutely love the piano and the mellow vocals; at times, it feels like a classical piece ! And as for this oracle, I’m curious to know who they are—I would love to be fed by them!
Mosaic
I believe this is the most melodic song on the album, and it stands out as the one most likely to resonate with mainstream radio audiences. The track effectively showcases the voice, which is truly impressive.
Each time I listen, I find myself eagerly anticipating that soaring high note! Although it takes some time for the guitars to join in, they eventually make their presence felt. It might sound a bit strange, but to me, the guitars in this piece seem to mimic the notes typically played by a piano.
Singing For Company
The instruments in this track blend together so that it’s challenging to distinguish them individually; they create a cohesive sound that’s tough to dissect. The chorus, however, elevates the experience significantly, offering a sense of uplift and empowerment that I believe represents the album’s most progressive moment.
The guitars appear to venture in various directions before reuniting. That said, I do wish the lyrics throughout the rest of the song matched the strength of the chorus, as it makes me eager to return to that part rather than fully savor the entire journey.
Juggernaut
When I hear the term juggernaut, I envision something big and powerful. This song certainly lives up to that expectation. It features a rapid tempo and a magnificent, flowing guitar pattern. However, the true highlights are the bass and drums, especially the incredible speed at which they are being played at. Although this is the shortest track on the album, I was surprised to find a section without vocals, but it surprisingly fits well.
The Iliad Flow
I’m not a fan of how the vocals are delivered at the beginning of this song; it feels too much like a slow, one-word-at-a-time approach. However, I do appreciate the fantastic bassline. The highlight of the track takes quite a while to arrive, and to be honest, I think I would have enjoyed it more if they had just made the last 90 seconds the entire song.
Touch The Past
Saving the longest song for last is quite a bold move! The energetic guitar scales and impressive drumming create a fantastic opening. The unexpected female vocals add a delightful surprise; perhaps this band should consider including her in their lineup! I enjoy the way the vocals blend together in this piece.
7.5/10
All rights to the songs in this review are retained by Tiberius. This site claims no rights over them. The images were provided by SaN Ltd the PR team associated with Tiberius. The photo was taken by Calum McMillan.
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