Introduction
Glasgow-based Lo Rays create songs built on heavy riffs with pop-leaning, hook-driven choruses. With previous support slots for acts like Vukovi and Mimi Barks, it’s no surprise that BBC Introducing and Radio Scotland have started paying attention. You should too. The band consists of Finnish vocalist Laura Takala, guitarist Scott Bathgate, bassist Ryan Jones, and drummer Murray Bartle.
For fans of Bad Omens, Biffy Clyro, Cassyette.
Review
The opening of the track is really expansive and ambient, driven by a drum roll that smoothly pulls you into the song. Paired excellently with guitars. This is a case of strong individually, but even better together. In the verses, I like that the vocals don’t simply flow straight through; there’s a subtle space between the words that gives added clarity. That said, I think they could use a bit more strength at times, as they occasionally get lost against the other sounds in the mix.
As the tempo increases, the bass takes the lead for me, while the vocals shift into a higher note that really showcases their range. And the chorus…wow. It carries a pop-like quality you don’t often hear in this genre, catchy and then some. It’s the sort of hook that will appeal even to listeners who aren’t typically into rock/metal.
“I can be the scapegoat, is that what you want to see?
Paint me as the bad guy if that’s what you need.”
There’s a strong sense of defiance here. Being song about being unapologetically yourself and letting go of the need to fit someone else’s expectations. If they see you as the villain, so be it.
Having heard many of the band’s earlier tracks, this one feels noticeably heavier, in a good way. There’s an added determination and power running through it, enhanced by crisp production from George Perks (who has previously worked with Enter Shikari and Skindred).
While I appreciate the use of electronic elements, at times they edge a little further than I personally prefer. I’d rather even more of the raw heaviness and slightly fewer aftereffects.
The breakdowns, however, are fantastic. A perfect balance between doom inducing instrumentation and a soaring, almost angelic vocal that cuts right through it. The drums deserve special praise here; outstanding. The song’s ending shifts back into an ambient, synth-driven assault on the senses, transporting you somewhere else entirely and showcasing just how well constructed the track is.
Overall, this is a strong release. The vocals are compelling, even if they get a little buried in the middle verses now and then. Instrumentally, the track is tight, cohesive, and full of energy. I love the pop-infused chorus set against the heavier breakdowns. While the electronic touches occasionally exceed my personal taste, the song as a whole shows real promise. I’m excited to see where Lo Rays go next.
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