Fox Reviews Rock

Introduction

Hailing from Nashville, Year of October certainly have a distinctive role in modern rock, blending fuzz-laden riffs with delicate vocals that are full of soul. Think Sabbath meets blues. Today we review their latest album, I’ve Given You Everything, which was released in 2025 and, in our opinion, captures this duality perfectly.

For Fans Of: Black Sabbath / Blues Pills / Amy Winehouse

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Review

The record kicks off with Rabid Badger, which immediately shows the band’s strengths. Hi-hats and playful riffs set the stage for vocals that are simultaneously delicate and powerful. This blend reminds me of Elin Larsson (Blues Pills), Skin (Skunk Anansie), and Amy Winehouse. The mix is impressive here; even with the fuzz turned way up, it does not feel overwhelming. The song’s later change of pace adds intrigue, and the outro is a standout moment on the entire album.

Maintaining that strong start and momentum is Flannel, with its phenomenal opening riff, subtle drums, and voice that continues to impress. The solo is expansive but also tasteful, and vocally the restraint shown makes every note feel purposeful rather than trying to do too much. I would say that this track, despite being a fan favourite, does not push things forward too much lyrically, and I would have preferred the band to be slightly more ambitious here.

The album explores some softer textures on Druid Moon and Ambrosia, with gentle instrumentation and vocal performances that verge on breath-taking. Druid Moon benefits from quieter verses in contrast to its deep, fuzz-laden choruses. However, placing it directly before the similarly laid-back Ambrosia does slow the album’s overall momentum. In my opinion, the latter might have been better positioned toward the end of the album, perhaps in a stripped-back arrangement with acoustic guitar and piano.

When I Wake is a reminder that not every track hits its target. Thick guitar layers unfortunately cause the vocals to get slightly lost in the mix, hindering their impact. The lack of lyrical and dynamic complexity found elsewhere makes this track feel like a missed opportunity. Similarly, Burning Ground shows strong riffs but would benefit from even more prominent drums.

Returning to the album’s high points, we have Mirrors & Smoke and Bruised. In the former, the drums, warm guitar notes, and tender vocals build tension before a dramatic texture change erupts into a filthy, in-the-best-way, fuzz-driven breakdown. This is a perfect example of the band’s ability to surprise and reward the listener. Bruised is a masterclass in restraint, combining bluesy rock riffs, prominent drums, and effortlessly beautiful vocals. It shows that sometimes the album’s most effective moments are those that do not try too hard.

Final Thoughts

Overall, I’ve Given You Everything thrives on the contrasts the band creates: 24-carat gold vocals against thick fuzz and playful riffs, set against excellent drumming, with a real sense of intimacy versus power, both executed very well. While some tracks suffer from pacing issues, buried vocals, or occasionally not being adventurous enough, these flaws never overshadow the album’s consistent strengths. I highly recommend this album, as it showcases exceptional musicianship and emotive vocals.

81/100

All rights to the songs in this review are retained by Year Of October. This site claims no rights over them. All images were provided by Year Of October and taken by Punk Rock Photography.