Introduction
If you’re a fan of post-grunge and alt-rock music, you won’t want to miss Superimposed! This Nashville-based band blends the iconic sounds of 90s grunge with modern day influences, creating a fresh and exciting sound.
We were thrilled to be invited to review their debut single. Tre Knowland (Drums) reached out to us after appreciating our review of his other band, Slow Animals. Give “Paint The Road” a listen , and we hope you enjoy the review!
Review
As the music begins, a rich and melancholic tone from the cello intertwines beautifully with the acoustic guitar (AJ Knapp). If I had to draw a comparison, it reminds me of the opening of “I Don’t Care” by Apocalyptica. When the drums come in, it feels like the core of a web has been established. Though they keep a straightforward presence, the drums consistently lay the groundwork for every section of the song.
The first presence of the vocals (Alexander Kings) feels quite subdued. Yet, there’s an undeniable confidence in the singer’s delivery. It suggests that this track is going to head to higher places. At moments, the singers tone reminds me of Chris Cornell — he’s that impressive! But, reservations stay for me with the harmonized vocals I’m not sure they were needed.
Having spoken to Tre Knowland about this , he explains that this was done intentionally.
“It’s a shift in pace indicating that something huge is about to happen. It’s meant to keep you on the edge of your seat and catch you a little off guard.”
The full vocal range really comes to life in the chorus, confirming my earlier suspicion. With the electric guitar and the now dynamic drumming, this is where the song really stands out. The choruses pack a much stronger punch than the verses. This creates a sense that the verses are designed to lead up to the powerful climax of the chorus.
“I lay tired in your way
Yet I leave stones unscathed
I lay tired in my wake
So roll me over and paint the road”
The combination of bass (Basil Coffey) and cello in this track together create an excellent tone. If this band persuade the cellist to join as a permanent member, their collaboration would be exceptional that I am sure of. The partnership with the bassist would stand out bringing a level of depth that few other bands ever achieve!
Lyrically this song has a rather dark and funereal feel to it. Addressing themes of mental health and suicide, it delivers a impactful message. The clever wordplay, like using “tired” to convey both exhaustion and the car’s tires, showcases genius levels of creativity.
Finally the guitar solo at the end, paired with harsher and higher vocals, gives the song a feeling of closure. The lyrics stem from a dark place. Yet, the overall vibe of the song doesn’t mirror that. This contrast highlights the brilliance of the songwriting once more.
8/10
What did you think to the song and review? Let us know in the comment section below!
All rights to the song in this review are retained by Superimposed. This site claims no rights over them. The photos were provided by Superimposed and were taken by Becs Knowland (Also a great Cellist).
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