Introduction
AfroDiziac, who grew up in New York, received his first guitar at the age of 13, marking the beginning of his musical adventure. After spending some time in London, he now calls Berlin home. His music is deeply influenced by classic rock and roll, infused with a touch of blues.
He enjoys immense backing within the industry, proudly supported by Marshall Amplification. Additionally, he has endorsements from Gibson Guitars and Levys Music. His journey has included supporting acts like The Darkness and The Boss Hoss, along with two UK tours and performances at The Orange Blossom Special Festival.
Today, we’re diving into “Shine,” the inaugural single from his upcoming debut album, “Vanity Affair,” set to drop soon. Be sure to give the track a listen and follow him on all social media platforms!
Review
The track opens with a fuzzy guitar riff that drips a sense of purpose and determination. Shortly after, unexpected vocals emerge, carrying a delicate quality in nature. It’s intriguing, from just a single line you catch a glimpse of the undeniable vocal strength this artist holds as well as the vulnerability, even if it hasn’t fully revealed itself just yet.
“Something in the water strange, I cant seem to wash away.”
The fusion of drums and bass produces more than mere noise; it crafts a vivid soundscape in the listener’s mind, where every element feels intentional. A perfect illustration of this is when the instruments suddenly halt, allowing the vocals to take center stage. This moment not only captures the audience’s focus but also provides the chance to give the vocals the attention they command and fully merit.
It’s fascinating to observe how effortlessly his voice transforms, showcasing a remarkable range. This effortless quality, however, is not doubt the result of years of commitment and hard work. The artistry in those subtle tonal variations is just as impressive as the beautiful sound that emerges from his mouth.
The chorus draws inspiration from “This little light of mine,” a song that became an anthem during the civil rights movement in the 1950s and 60s in the United States. While the lyrics are different and the reasoning for its use are unclear. It gives the opportunity for the listener to form their own interpretations for its use. One thing is for sure: you’ve never heard it quite like this!
The drums in the chorus shine, without overshadowing the main elements or drawing focus away from the guitar or the vocals. I’ve listened to this track countless times while crafting this review, and it’s those subtle moments of brilliance that may not be instantly noticeable but significantly enhance the overall experience.
The guitar riffs and brief solos too are like hidden treasures, intricately woven throughout the song. If you’re looking for a tune that will stick in your mind for hours, this is the one! It’s incredibly catchy!
“We’re two of a kind”.
Towards the middle section of the song highlights the bass more prominently, illustrating to me at least its essential role in music. Personally, I would have appreciated even more pronounced bass segments, similar to what we hear at 2:20, as it contributes both depth and emotion.
Additionally, a captivating, hair raising spine-tingling guitar solo, perhaps lasting around 20 seconds, would beautifully demonstrate the impressive talent of AfroDiziac! That being said the ending of the track does just this. The way the song concludes mirrors its beginning, creating a wonderful sense of completeness throughout the entire piece.
All rights to the song used in this review are retained by Afrodiziac. This site claims no rights over it. The photos used for this review were sent to us by Afrodiziac and taken by Berlin_pictureguy & Duke Francis.
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